Parables and Poems
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Parables and Poems

 

Parables and Poems cover

New Zealand pastor reveals God by telling stories

Format

72pp, 240 x 170mm, 130gsm satin matt, burst bound, matt laminated 280gsm cover. Text includes many b/w photos and glossary. 

Price

NZ$24.95 + postage

Publication info

ISBN 095822756X

Published November 2002

Place your orders now.

 

On this page and in this section:

About the book

This precious collection springs from the tradition of revealing God by telling stories.

A Baptist pastor, Simon Brown shares his spiritual insights into everyday life.

Some stories are direct, others more subtle, but New Zealanders will identify with all of them.

A child having fun with God playing imaginary games; sitting round a campfire beside a river; death, sin, greed, hope, laughter, family and love — all are here.

Evocative images of people, artwork and places add depth and another dimension to reflect on.

Parables and Poems will stir emotional connections with this land and its people.

Extracts from Parables and Poems

When God was young

When I was six and God was young we used to play together.

He told me the secrets of life; like how the baby bird gets in the egg, why wetas take so long to drown and what really happens if you swallow gum.

God was so much fun. One day he bet me my playlunch he could teach a frog to talk. No sooner had we shook on it than 300 frogs jumped out of hiding yelling, "Sucker." I always lost my bets with God but we shared everything anyway…

 

These old cronies

I met these old cronies, a woman with her man,
married for 35 good years.
Huddled to the fire on a stone laden beach, the broth
of yesterday’s fish-heads and wine, steaming.

Small tin boat Sally near their two-berth blue van,
parked shaded by the rata tree in bloom. And tui.
Their home was brick back at Huntly, both worked
down the open coal mine. Kids long left the huddle.

They’ve been stoking that fire 36 summers.
"Their eldest," she giggled, "was made here."
Old shoulders stayed touched in the fire glow amber,
we talked for a time about fishing and life.…

 

Visitation

Betty Bunter bent her fork as she stabbed the blood red steak with force. Not angry. Not fussed. Just hungry. "Bloody hungry."

"So you’re the pastor of the local church then?" she belched between loads not really listening for an answer…

 

The liturgy of life

River pouring from a teatree spout.
It’s one long cup of tea.

Juicy mist steams on the hills,
home of pigeon and boar.

Sea birds wake to call aloud,
the sun he’s still in bed.

One lone gull steals up the skirts
of dawn, in search of love…

 

Completing the Trinity

Three persons in the Trinity
the Father, Son, the Holy Ghost
honeymooning and swooning above,
eight squillion years of it,
creators of eternity and time.

The unbroken circle of power, of love
Alpha and Omega, the All.
Humbled, exalted, completed,
made whole
in the faith-filled yes of a child.

 

Life beyond the tomb

Must be hard being Jesus today. Ever thought about that? I mean, sure it was tough when his mates shunned him at the end. Especially old Judas. That was tough. And the whips with bone in the ends must have really stung too. I mean he wasn’t a bad guy who deserved it or anything. Then there’s those bleeding thorns and cross with blunt nails. Sure that was tough. You’ve got to admit it. That can’t have been a picnic for Jesus. No siree. And what about the public trial, mocking and jeering from the crowd. The same crowd that hugged him a couple of days before and sang songs like Hosanna to the King, and stuff with cloaks and palms. That must’ve been a bit of a shocker. His close friends took off leaving Him with no mates, only enemies. Hung out to dry in the sun like a shot rabbit on a fence wire. Jeez mate it must’ve been grim. So all in all Jesus’ death must have been a hell of a time for Jesus. No doubt about it. I really mean it…

Praise for Parables and Poems

“These poems and stories are strong stuff. Of the earth, earthy, they are shot through with a sense of wonder, which is an encounter with the divine. God is here — not in celestial glory — but in the ordinary and everyday.”

Brian K Smith, Former Principal
Carey Baptist College

“A delightful raconteur, Brown weaves mystery and the mundane as casually as a man knotting a fishing net. In these stories and poems he trawls the imagination and brings back a healthy catch to be enjoyed over a driftwood fire at the edge of the sea. Read and enjoy.”

Mike Riddell, Author

“…we long for indigenous stories to bring meaning, inspire courage, form personal identity and stretch faith. Simon’s stories and poems do this. Born out of our landscape and our people they connect New Zealanders with the concerns of God. ”

Alan Jamieson
Author of A Churchless Faith

About the author

Simon Brown photoSimon is married to Anita and together they’ve raised six children in the small rural community of Glenbrook, south west of Auckland, New Zealand. Simon has worked as a carpenter, commercial fisherman, cowshed hand, rouseabout, building contractor, student, labourer, pastor, school chaplain, youth worker and writer. His interests include most things but above all, he enjoys mucking around with family, and a few close friends, trading yarns.

 

Reviews

"Brown's manner is one which will be enjoyed enormously by some readers and not at all by others…"

Poetry That Lifts Our Eyes To The Hills

Simon Brown, as suggested, presents a completely different figure. If Holman is known mainly to the relatively few who take poetry seriously, Brown, a Baptist minister, will be known chiefly to those who have met him through his church activities, though the brief biography notes that he also has a wide array of experience ranging from carpenter and commercial fisherman to youth worker and school chaplain.

This book, which appears to be his first published collection of creative writings, was prompted, he says, by a desire to provide "parables and poems for the increasing number of people who live out their faith on the margins of church life, with too many questions and no place to ask them." It is illustrated with somewhat grainy black and white photographs, mostly his own, a few taken by family members. The purpose of his brief prose narratives and verses is uncomplicatedly, if un-dogmatically, didactic (though he might reject the term).

In his poems as in his short narratives, the message is more important than the medium. He wants to persuade people to re-think their ideas about God and the role of religion and spirituality in daily life, to think also about some social issues, from battery chicken farming to excess expenditure on armaments. We take God, he insists, both too seriously and, by implication, not seriously enough, too often allowing the idea of a sternly retributive Being in the sky to excuse us from accepting his role in daily life.

Brown's God giggles and plays with a child - narrator, sitting "on the top of that vast raspberry rainbow digging out vast chunks of red jelly, chocolate and ice cream," but He also needs to be recognised in fat, belching Betty with her "unshaven chins."

Brown's manner is one which will be enjoyed enormously by some readers and not at all by others. The vocabulary and syntax are ostentatiously vernacular: "Must be hard being Jesus today. Ever thought about that? I mean, sure it was tough when his mates shunned him at the end. Especially old Judas. That was tough." And the world he describes is strangely divided. On the one hand, it is a world of baches at the beach, boiling billies, campfire contentment. On the other, it is suburbia at its worst, domestic violence, hypocrisy, spiralling ambition and deepening debt.

It raises questions about the audience Brown anticipates: how many New Zealanders today actually know the idyllic rural experiences he describes? And is all urban life so bad? There's also a rather curious glossary, explaining words such as "chalice," "Maori," "Tui," "Fantail" and "flax." (Holman, by way of contrast, with very few exceptions, offers no translations for his extensive use of Maori, simply expecting his readers to understand.) Still, Brown's writing can be engaging, with clever turns of phrase and some surprising twists just when his point seems over-obvious, and it will prompt its readers to think.

Helen Debenham
Anglican Taonga - Eastertide 2004

"…a delightful sense of beauty in the commonplace…"

The author introduces this beautifully designed and produced volume of poems and stories with these words: "As post-modernism continues to emerge in Western society, truth, or dogma, is fast being replaced with a so-called higher ideal - reality. In this emerging culture one's experiences and stories determine what is real."

Certainly the contents mostly live up to the comments of Alan Jamieson (Senior Pastor, Central Baptist Church, Wellington) when he states "...this collection of stories is rich in humour and at once bluntly realistic yet deeply moving." (p.6)

I found occasional offerings a little tedious (like "When God was young" pp 9-11) but was soon carried away to a place of truth, humour and reality as in, for example, "Deep Mission" (p15). I was challenged by "Visitation" ( p29) and thoroughly enjoyed and appreciated "Wisdom of a ten year old boy" (p67) which I quote in full: 

                                             Teachers teach
                                           Preachers preach,
                                         do you know what's
                                     going on in the head of each?

                                              serious serious
                                              serious serious
                                              serious serious
                                                    serious.

                                   And there's no healing power
                                               in serious.

Simon Brown has a delightful sense of beauty in the commonplace, truth in the incongruities of life, and the love between people, young and old, who have few words for aroha, but a myriad of actions.

New Zealand has struggled to produce a genuinely indigenous theology, and this small book certainly does not achieve that worthy goal; but it may indicate the direction from which such a theology may one day emerge. "Crayfish legs and Family Life" (p41) ends with the following words:

Through the rhythm of the sea, the glow of cinders
and the touch of lover and child, God spoke in a language that needs
no words and met with no resistance."

Amen to that. 

The illustrations add to the quality of the work, and if you get the impression that I liked it.... I did! 

Thoroughly recommended for meditation, gift to a friend, sermon stimulation (don't say that isn't necessary sometimes!) or resting on the coffee table to be picked up in those fifty-five minute breaks in the day when the non-news is on TV."

John Patrick
 for the Presbyterian Church of Aotearoa NZ
January 2003

John Patrick is a former teacher in Vanuatu, a former Presbyterian Minister,
 former Director of Marriage Guidance (Waikato) now living peacefully in Warkworth.

 

"This book is liberating…"

An eclectic mix, this book Parables and Poems portrays a distinctly Kiwi spirituality which stirs emotional connections with God, this land and it's people. As post-modernism continues to emerge in western society, truth, or dogma, is fast being replaced with a higher ideal called, ‘reality’. In this emerging culture ones experiences and stories determine what’s real. Doctrine is being reformed by story, and it is through story that reality is being discovered.

In this book, questions are asked of the church, of God and of faith itself. It's subversive in the sense that it represents a Christian spirituality which is open ended, all embracing and diverse. This book is liberating, it takes a fresh, and often, light-hearted approach to many of the deep spiritual issues facing followers of the Christ today. 

This collection of parables and poems has been written for the increasing number of people who live out their faith on the margins of church life with too many questions and no place to ask them. It's written for those whose quest for spiritual reality has led them to places where the institutional church simply doesn't feature. 

A Baptist pastor in Glenbrook south of Auckland, Simon Brown shares his spiritual insights into everyday life. Some stories are direct, others more subtle, but New Zealanders will identify with all of them. A child having fun with God playing imaginary games; sitting round a campfire beside a river; death, sin, greed, hope, laughter, family and love — all are here. Evocative images of people, artwork and places add depth and another dimension to reflect on.

Parables and Poems will stir emotional connections with this land and its people.

Simon writes: "I have written this collection to encourage you, the reader, to write your own stories and tell them as often as you can in order to refresh the souls of other weary travellers."

Rosemary Neave
Future Newz 4 Summer 2003
 

Who should buy this book?

  • Current church members and those on the fringes who are looking for a distinctly kiwi spirituality, ministers/pastors.
  • Christian and specialist bookstores
  • Public libraries

A Baptist pastor, Simon Brown shares his spiritual insights into everyday life.

Some stories are direct, others more subtle.

A child having fun with God playing imaginary games; sitting round a campfire beside a river; death, sin, greed, hope, laughter, family and love — all are here.

Evocative images of people, artwork and places add depth and another dimension to reflect on.

Parables and Poems will stir emotional connections with this land and its people.

 

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